Within this work I tried to emulate the essence of the baroque suite, alternating dances with different tempo and style. But instead of the standard suite movements I built up this piece with a Prelude, Quasi un mambo, Pavana and a Tarantella. Besides, each movements is composed following Oliver Messian's modes of limited transposition, specifically II (Fantasia), III (Quasi un mambo), V (Pavana), IV and VI (Tarantella).

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